House IA — beats 4/4, basses groovy, mélodies dansantes. Mix communautaire 24/7.
tempo moyen 125 BPM (de 110 à 130) · 61 titres · 41 instrumentaux · énergie moyenne 74 %
Les consignes réellement utilisées pour produire les 61 titres House du catalogue, relevées sur les morceaux eux-mêmes.
progressive house, soaring melodic lead, 128 BPM, festival mainstage energy, massive build-ups and euphoric drops, punch — 19 titres, dont « Northern Shores »big room house, 128 BPM, festival mainstage energy, massive build-ups and euphoric drops, punchy sidechained kick, wide — 8 titres, dont « Endless Passage »future rave, dark driving synth stabs, hypnotic arpeggio, 126 BPM, festival mainstage energy, massive build-ups and euph — 6 titres, dont « Northern Lanterns »future rave, 126 BPM, festival mainstage energy, massive build-ups and euphoric drops, punchy sidechained kick, wide ste — 4 titres, dont « Pale Mornings »big room house, massive supersaw drops, snare-roll build-ups, 128 BPM, crowd, live,, festival mainstage energy, massive — 3 titres, dont « Second Letters »Long-form melodic indie dance, 118 BPM, extremely patient slow build over a single held chord progression, warm analogue pads swelling for minutes, soft filtered arpeggio, the kick entering very late and very softly, deep sidechained sub bass, huge cathedral reverb and long delay tails, gentle breathy female vocal singing very few words with long silences between them, wordless ooh layers, hypnotic and meditative, oceanic and nocturnal, builds and never quite releases, no distortion, no rap — 1 titre, dont « Margem Sul »Peak-time euphoric progressive house, 126 BPM, long-form structure with an enormous sixteen-bar filter build and a rising white-noise sweep, huge release with bright supersaw chords and a driving sidechained bassline, wide cascading arpeggios, live claps and shaker, crowd ambience faintly underneath, an open confident male vocal with big stacked harmonies on the hook, basement-club scale turning to sunrise, triumphant and warm, no distortion, no rap — 1 titre, dont « The Long Set »Patient melodic deep house, 118 BPM, single held chord progression with warm analogue pads swelling slowly, soft filtered arpeggio, kick entering late and staying quiet, deep sidechained sub bass, long reverb tails, a close untrained male voice singing very few words with long silences between them, slightly hesitant and unpolished, deliberately less processed than you would expect, wordless ooh layers, nocturnal and exposed, no distortion, no rap — 1 titre, dont « Primeira Pessoa »