Musique expérimentale IA — textures, formes ouvertes, essais assumés.
tempo moyen 86 BPM (de 48 à 168) · 18 titres · entièrement instrumental · énergie moyenne 27 %
Les consignes réellement utilisées pour produire les 18 titres Experimental du catalogue, relevées sur les morceaux eux-mêmes.
experimental instrumental music, prepared piano with objects laid across the strings producing muted metallic clangs, bowed and scraped cymbals, close-miked found objects and household metal, tape loops running at slightly wrong speeds creating drift and wow and flutter, sustained double bass harmonics, granular textures built from acoustic recordings, long stretches of near silence punctuated by sudden events, no regular pulse or steady beat, microtonal detuning between layers, natural room reverberation and audible recording space, acoustic sources only, no synth presets, no drum machine, no melody in the conventional sense, room tone alone for the first moments, single prepared piano note, slow accumulation of objects — 9 titres, dont « Standing Wave »minimalist process music, short repeated acoustic cells gradually phasing out of alignment, marimba vibraphone and piano interlocking, sustained clarinet and string tones, no drum kit, dry close recording, gradual audible transformation, phasing sur douze temps : deux marimbas jouent la meme cellule, l un accelere imperceptiblement pendant six minutes jusqu a se retrouver a l unisson. Rien d autre. Tempo 152 BPM. — 9 titres, dont « Slow Pulse »