Musique latine IA — salsa, bossa, cumbia, flamenco. La clave au centre.
tempo moyen 98 BPM (de 58 à 150) · 22 titres · 1 instrumentaux · énergie moyenne 63 %
Les consignes réellement utilisées pour produire les 22 titres Latin du catalogue, relevées sur les morceaux eux-mêmes.
latin music, nylon-string Spanish guitar playing montuno and rasgueado patterns, tres cubano countermelodies, congas bongos and timbales laying a clave-based groove with cowbell, electric bass playing a tumbao locked to the clave, bright horn section of trumpets and trombone with tight stabs, piano montuno in the upper register, guiro and maracas throughout, warm expressive male lead vocal in Spanish with open chest tone, coro answering the lead in call-and-response, live band recorded in one room with natural warmth, danceable tempos, no synths, no programmed drums, slow bolero feel, nylon guitar and voice foregrounded, subtle percussion — 9 titres, dont « El Ultimo Tren »cumbia y bolero, acordeon vallenato al frente, guacharaca y guiro marcando el raspado, caja vallenata, bajo electrico redondo, guitarra criolla, voz masculina calida en espanol, grabacion analoga, Cumbia rapida a 112 BPM en sol mayor. Todo el conjunto desde el primer compas, sin introduccion. Guacharaca constante y muy presente, caja que empuja. Acordeon en riffs cortos entre frases. Coro cantado por muchas voces. Ruptura instrumental de veinte segundos donde solo queda la percusion. — 9 titres, dont « Sal Y Ceniza »Brazilian MPB and samba, nylon-string violao playing syncopated bossa and samba patterns, cavaquinho chording on the offbeats, pandeiro and surdo laying a warm samba pulse, agogo bells and shaker, soft upright bass, gentle flute or clarinet countermelody, warm expressive male voice singing in Brazilian Portuguese with relaxed phrasing, subtle backing vocals in thirds, sunlit acoustic production recorded in a warm room, unhurried danceable tempos, no synths, no programmed drums, no distortion, loping rhythm, storytelling pace, clarinet answering the vocal — 2 titres, dont « O Homem Do Barco »