Metal IA — guitares lourdes, double pédale, vocals growl ou clean.
tempo moyen 144 BPM (de 45 à 205) · 104 titres · 2 instrumentaux · énergie moyenne 83 %
Les consignes réellement utilisées pour produire les 104 titres Metal du catalogue, relevées sur les morceaux eux-mêmes.
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Metal
Deathmetal — 11 titres, dont « Spiel »Heavy, downtuned guitars drive syncopated riffs with aggressive groove, backed by punchy drums, deep sub-bass and industrial textures—metallic samples, distorted synths, mechanical noises, Angry rap verses flow over tight rhythms; choruses explode with screamed hooks, Breakdowns shift to half-time and noise layers peak for cathartic impact, Raw dynamic shifts capture 90s nu-metal/alt/rap-industrial aggression and emotion — 10 titres, dont « MessedUp »classic heavy metal, raw 1970s analog production, twin lead guitars harmonising in thirds, galloping eighth-note bass driving the whole track, minor-key modal riffs with tritone tension, overdriven non-scooped guitar tone through cranked valve amps, live drum kit with open ride and thunderous tom fills, soaring high-register male vocal with wail and vibrato, long instrumental mid-section with dual guitar duel, tempo shifts between gallop and heavy half-time doom stomp, thick fuzzed bass breaks, tape saturation and room bleed, no click track feel, no keyboards, no synths, no modern compression, epic long-form closer, quiet clean-guitar opening, building gallop, three distinct sections, huge sustained final chord — 9 titres, dont « The Gallows Bell »doom and stoner metal, extremely slow crushing tempo, massively down-tuned fuzzed guitar riffs with long sustained bends, thick overdriven bass doubling the riff an octave below, heavy deliberate drumming with wide open cymbal crashes and huge tom fills, vintage valve amplifier saturation pushed to the edge, hypnotic riff repetition with minimal chord movement, soulful wailing male vocal with reverb and blues phrasing, long instrumental passages of pure riff, feedback bleeding between sections, warm analog 1970s production, no blast beats, no growling, no synths, riff alone for the first minute, drums entering heavily, no tempo change — 9 titres, dont « Iron Lung »Norwegian atmospheric black metal, tremolo-picked guitars playing long cold modal melodies, blast beats alternating with slow marching sections, rasped high shrieked vocals far back in the mix, thin trebly guitar tone, lo-fi analog production, long tracks built on repetition, 150 BPM. Ren gitar alene i ett minutt, sa kommer tremolo og blast beat samtidig. Én melodisk linje gjentas tolv ganger med okende lag. Vokalen kommer forst etter tre minutter. Sju minutter totalt. — 9 titres, dont « Under Isen »metallic hardcore, hardcore punk, heavily down-tuned distorted guitars, chugging palm-muted riffs on the low string, driving two-step drum beat with ride bell accents, d-beat sections, crushing half-time breakdown with pick scrapes and amp feedback, barked shouted male vocals with throat grit and no melody, gang vocal shouts answering the hook, distorted bass grinding under everything, raw dirty live-room production, abrupt full-band stops, tight fast arrangement under three minutes, basement show energy, festival pit energy, fastest and shortest on the record, all-out d-beat, one final gang-shouted line over a dead stop — 7 titres, dont « Crowd Killer »The track erupts with brutal thrash riffs, surging death/thrash tremolos, and relentless groove-laden bass. Percussions feature tribal toms, electronic surdos, and syncopated blasts, fusing extreme metal power with primal energy. Hardcore breakdowns cut through the chaos, giving way to polyrhythmic grooves and layered, raw-textured solos. The arrangement weaves controlled dissonance, abrupt tempo shifts, and immersive atmospherics, rooting the sound in underground Brazilian metal traditions. — 4 titres, dont « PEACH »An experimental alt-metal track fusing heavy, detuned guitar riffs and staccato rhythms with frantic, odd time signatures. Aggressive, dynamic vocals morph between rapid-fire verses and soaring, dramatic hooks. Sharp stops, syncopated grooves, and sudden meter shifts drive intensity. Layer in Eastern sonic flavors—duduk samples, off-kilter harmonies, and percussive flourishes—plus abrupt dynamic contrasts for an eclectic, avant-garde fusion. Powerful drums and distorted bass underpin the relentless groove, while unpredictable bridges and chaotic breakdowns keep the arrangement volatile and progressive. — 3 titres, dont « Bro Jack »