Metal IA — guitares lourdes, double pédale, vocals growl ou clean.
tempo moyen 123 BPM (de 45 à 190) · 36 titres · 2 instrumentaux · énergie moyenne 71 %
Les consignes réellement utilisées pour produire les 36 titres Metal du catalogue, relevées sur les morceaux eux-mêmes.
classic heavy metal, raw 1970s analog production, twin lead guitars harmonising in thirds, galloping eighth-note bass driving the whole track, minor-key modal riffs with tritone tension, overdriven non-scooped guitar tone through cranked valve amps, live drum kit with open ride and thunderous tom fills, soaring high-register male vocal with wail and vibrato, long instrumental mid-section with dual guitar duel, tempo shifts between gallop and heavy half-time doom stomp, thick fuzzed bass breaks, tape saturation and room bleed, no click track feel, no keyboards, no synths, no modern compression, epic long-form closer, quiet clean-guitar opening, building gallop, three distinct sections, huge sustained final chord — 9 titres, dont « The Gallows Bell »doom and stoner metal, extremely slow crushing tempo, massively down-tuned fuzzed guitar riffs with long sustained bends, thick overdriven bass doubling the riff an octave below, heavy deliberate drumming with wide open cymbal crashes and huge tom fills, vintage valve amplifier saturation pushed to the edge, hypnotic riff repetition with minimal chord movement, soulful wailing male vocal with reverb and blues phrasing, long instrumental passages of pure riff, feedback bleeding between sections, warm analog 1970s production, no blast beats, no growling, no synths, riff alone for the first minute, drums entering heavily, no tempo change — 9 titres, dont « The Slow Collapse »Norwegian atmospheric black metal, tremolo-picked guitars playing long cold modal melodies, blast beats alternating with slow marching sections, rasped high shrieked vocals far back in the mix, thin trebly guitar tone, lo-fi analog production, long tracks built on repetition, 150 BPM. Ren gitar alene i ett minutt, sa kommer tremolo og blast beat samtidig. Én melodisk linje gjentas tolv ganger med okende lag. Vokalen kommer forst etter tre minutter. Sju minutter totalt. — 9 titres, dont « Under Isen »metallic hardcore, hardcore punk, heavily down-tuned distorted guitars, chugging palm-muted riffs on the low string, driving two-step drum beat with ride bell accents, d-beat sections, crushing half-time breakdown with pick scrapes and amp feedback, barked shouted male vocals with throat grit and no melody, gang vocal shouts answering the hook, distorted bass grinding under everything, raw dirty live-room production, abrupt full-band stops, tight fast arrangement under three minutes, basement show energy, festival pit energy, fastest and shortest on the record, all-out d-beat, one final gang-shouted line over a dead stop — 7 titres, dont « Crowd Killer »distorted industrial, urgent percussion, gritty guitar — 1 titre, dont « Forge des Ruines »