Punk IA — court, rapide, saturé. Trois accords et pas de permission.
tempo moyen 183 BPM (de 128 à 196) · 12 titres · énergie moyenne 88 %
Les consignes réellement utilisées pour produire les 12 titres Punk du catalogue, relevées sur les morceaux eux-mêmes.
melodic skate punk, fast driving downstroke power chords, galloping eighth-note bass, rapid punk drumming with fast hi-hat and snappy snare, bright clean-toned lead guitar octave melodies over the chorus, sung melodic male vocals with a slight nasal edge and real melody, layered gang backing vocals on every chorus, short guitar leads between sections, tight polished but energetic production, songs under three minutes with verse-chorus-verse structure, big hooks, no screaming, no breakdowns, no metal riffing, fast opener, big gang chorus, octave lead over the last chorus — 9 titres, dont « Bad At Goodbyes »metallic hardcore, hardcore punk, heavily down-tuned distorted guitars, chugging palm-muted riffs on the low string, driving two-step drum beat with ride bell accents, d-beat sections, crushing half-time breakdown with pick scrapes and amp feedback, barked shouted male vocals with throat grit and no melody, gang vocal shouts answering the hook, distorted bass grinding under everything, raw dirty live-room production, abrupt full-band stops, tight fast arrangement under three minutes, basement show energy, festival pit energy, urgent galloping hardcore riff, half-time chorus, long feedback tail — 2 titres, dont « Static »folk punk québécois, driving double-time 168 BPM over a boot-stomp groove, pumping button accordion, driving acoustic strum, distorted power chords, sawing fiddle, punchy picked bass, staccato brass, boot stomps and handclaps; gruff raspy mixed tenor storyteller with thick Québécois joual accent, spat-sung verses, warm spoken tavern passages, gang-shouted mixed choruses and crew “Ohé!” answers; dry close-miked verses, tape-saturated chorus, tavern crowd roar, evolving unifying singalong finale — 1 titre, dont « SimpleBE »