R&B IA — voix souple, accords qui glissent, tempo posé.
tempo moyen 91 BPM (de 60 à 144) · 29 titres · 1 instrumentaux · énergie moyenne 52 %
Les consignes réellement utilisées pour produire les 29 titres R&B du catalogue, relevées sur les morceaux eux-mêmes.
smooth soul and R&B, warm Rhodes electric piano chords with lush extensions, round fretless-feel electric bass sitting deep in the pocket, laid-back drums with soft rimshots and brushed hi-hat, muted clean guitar playing sixteenth-note skanks, subtle string pad on the chorus only, silky male lead vocal with controlled falsetto and breathy ad-libs, stacked three-part background harmonies answering the lead, tasteful saxophone line in the bridge, warm analog tape production with plenty of low-mid, unhurried tempo, no rapping, no synths leads, no programmed trap drums, quiet closer, voice and Rhodes almost alone, band joins for the final chorus — 9 titres, dont « Kitchen Floor »gospel soul, Hammond organ with rotary speaker, upright piano, full mixed choir answering the lead, tambourine and handclaps, driving live drums, warm electric bass, raw powerful male lead voice with grit, room recorded with the congregation feel, A 102 BPM en fa majeur. Orgue seul en introduction pendant trente secondes, puis batterie et basse entrent ensemble. Le choeur n arrive qu au premier refrain, d un coup, a pleine voix. Tambourin constant. Forme en montee par paliers, chaque refrain une tierce plus haut. Dernier refrain en modulation. — 9 titres, dont « Morning Service »Urban dream pop, late-night R&B-leaning pop production, warm muted 808 sub bass, crisp hi-hats and finger snaps laid back behind the beat, soft rimshot and brushed snare, dusty Rhodes electric piano chords, muted clean electric guitar with chorus pedal, glassy bell and celesta accents kept low in the background, sidechained pads, subtle vinyl crackle and distant city ambience, airy youthful male voice singing in clear American English, breathy intimate close-mic verses with light melodic half-singing, stacked falsetto harmonies on the hooks, plate reverb and tape delay on the vocals, nocturnal neon and rain-on-pavement mood, spacious wide mix, hopeful and unhurried, no distortion, no aggressive drums, no rap verses, no shouting — 7 titres, dont « Nightbus »up tempo Memphis soul 1970's, soul — 2 titres, dont « A Day with none »70s, funk, disco, soul, RnB, bass, — 1 titre, dont « 探せば探すほど »